DEVIN TOWNSEND Featured In New 'The Right To Rock' Podcast

TheRightToRock.com has issued its latest podcast (episode #80),featuring acclaimed Canadian musician/producer Devin Townsend (STRAPPING YOUNG LAD, STEVE VAI, LAMB OF GOD, DARKEST HOUR, GWAR).

The interview lasts approximately 25 minutes and is available for download as an MP3 audio file at this location.

Holland's Toazted conducted an interview with Devin Townsend on April 7, 2009 in Amsterdam. Watch the chat in two parts below.

"Ki", the first in a series of albums from Devin Townsend to be made available under the DEVIN TOWNSEND PROJECT moniker, will be released in Europe on May 25 and in North America on June 19 via InsideOut Music. The CD is now available for pre-order, with the first 300 CDs autographed by Townsend. Approximate shipping date is May 25.

In a world of increasing conformity and musical banality, Devin Townsend is among the few real personalities who have character, charisma and surprising innovative creativity. As a solo artist and producer, leader of the (by now disbanded) STRAPPING YOUNG LAD, with whom he played Ozzfest and the main stage at the Download festival, and vocalist on Steve Vai's album "Sex And Religion", Townsend has always inspired fans and critics alike.

"Ki" track listing:

01. A Monday
02. Coast
03. Disruptr
04. Gato
05. Terminal
06. Heaven Send
07. Ain't Never Gonna Win...
08. Winter
09. Trainfire
10. Lady Helen
11. Ki
12. Quiet Riot
13. Demon League

Comments Townsend: "'Ki' is the first in a series of four albums under the moniker 'DEVIN TOWNSEND PROJECT.' Each album is essentially a different band or collection of session musicians playing my music. They were chosen based on what the theme of the album is and the vibe that the album is trying to project. The album 'Ki' is very specific in this quartet of albums in that it controls its anger throughout, barring one song — 'Heaven Send' — and really is an exercise in having little to prove."

Devin adds, "'Ki' is a subtle, severe album. A challenge in some ways. As the 'intro' to the story (the story being the four records) it needs to set the stage. The point to the music is that the whisper is louder than the roar in many ways. 'Ki' is (on the surface) quiet and unassuming. Whenever it begins to lose its temper, it stops. It does not let it go, it is avoiding that temptation, as that sort of anger is really gratifying but ultimately just leaves me unhappy. 'Ki' is about control, and although it is not an overtly 'heavy' album, it is heavy thematically. On these four records, it starts with 'Ki', which is essentially a cross section of all the albums, but the idea is that it is not here to impose itself. It just does it's thing. Like a little a.m radio playing in the corner.

"Many folks have been waiting to see what I do next after SYL and 'Ziltoid', so after careful consideration, I wanted the first record to be quiet and subtle, however fear not chaos fans... the next two records in the quartet are progressively heavier, and the third album, 'Deconstruction', is the heaviest music I've ever created. So with 'Ki', I wanted to make it a bit of an appetizer. I know myself, that as I get older, a steady diet of chaotic music does little more than give me a headache. So with 'Ki', I wanted to re-introduce myself in a way that says, 'I can make chaos like you've never heard, but for starters, please get comfortable.' The common ground to my previous releases would be my voice, but even my guitar playing has changed. I use primarily a clean tone now (no distortion) and in terms of the sonics, I have used very little compression and it is not mastered very loud. The term 'Ki' loosely means 'life force' and, therefore, in almost the antithesis to my previous albums, there is no real editing or triggers on the drums. Much of the music was recorded 'live off the floor.' I wanted to preserve the energy flow without worrying so much about mistakes."

Interview Part 1:

Interview Part 2:

Cover:

Slipcase: